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Tuesday, July 22, 2014

NOW! Workshop Registration Open

Here is the registration form for the September workshop with visiting artist Beata Wehr. (See post of 6/18/14.) Right click on the form, save as a jpeg and print out. CBAS members should have received the form in an email from Margaret Rhein paperpeg@gmail.com in the last few days.

 CBAS members and guests are also invited to attend a Meet-and-Greet and Lecture with Beata Wehr on Friday, September 19, 2014, from 7:00-8:30 p.m. The artist will have books available for sale.

Both lecture and workshop will be held at The Gallery Project near DeSales Corner in Walnut Hills.

Sunday, July 6, 2014

Award Winning Book

CBAS is pleased to announce its annual Purchase Award from Bookworks XV, the exhibition currently on view at the Public Library of Cincinnati and Hamilton County: THE BOOK OF POE by artist Carole Winters. The award winner will be donated by CBAS to the Library's extensive collection of artists' books in memory of Keith Kuhn, former CBAS Chair and Library Services Director. The selection was made by judges Arnelle Dow (Art for Artists program, Clifton Recreation Center) and Beth Brann (Associate Professor and Chair of the Department of Graphic Design at the College of Mount St. Joseph).

The Book of Poe, Carole Winters
CBAS member Carole Winters contributed this artist's statement about her book: This is an on-going, in progress, hand-lettered and illuminated personal book/object for use in the contemplation of select poems by Edgar Allan Poe. She discussed her work with visitors at the first artists' walk through of the exhibition.

Our congratulations to Carole and gratitude to the judges. Visitors may see Carole's book displayed in the Library's Atrium through September 7.

Monday, June 23, 2014

Walking and Talking in Bookworks XV

Yesterday, in an informal walk-through open to the public, book artists with work in the recently opened Bookworks XV exhibition talked about the inspiration and creation of their books and answered questions from visitors. The stories behind the books are always as fascinating as the books themselves.

Jack Campbell reads from Emily Dickinson whose poetry and life inspired his entry this year.

Janice Kagermeier talks about her book of memorabilia from a childhood trip with her aunt.

So you won't want to miss the only other walk-through on Sunday afternoon, August 3, 2 p.m., in the Atrium of the Public Library of Cincinnati and Hamilton County (800 Vine Street, downtown).

CBAS Chair Lou Kroner shares thoughts with Librarian Jeanne Strauss-De Groote about his tiny book made from one piece of folded paper.

Wednesday, June 18, 2014

Save The Date!

September 20 (Saturday) and September 21 (Sunday) are the dates for a workshop with artist BEATA WEHR. It's not time to sign up yet, but as soon as the registration form is ready, it will be sent to all CBAS members and posted on the blog.
Beata, Wehr, Taming the Beast
The workshop, entitled Artist's Books as Containers for Ideas, will focus on working with text, images, materials and structures to create a unique artist's book. A poem, a letter, lyrics for a song, a short story, fragment of a journal, an image or an object will serve as an inspiration and/or will be included in a book. The class will contain many different activities: a short informal writing exercise, selection of images and materials, editing, working on a book structure, individual critique, group discussion and presentation of the final work.

Beata Wehr, 132 Memoir
BEATA WEHR is a visual artist and educator. She was bon in Warsaw, Poland, and currently lives and works in Tucson, Arizona, traveling back to Europe every year. She graduated from Warsaw University in Poland with an M.A. in art history and from the University of Arizona with an M.F.A. in painting/combined media. She paints and creates artist's books, examining in her work the ideas of home, place, time, transience and multicultural experiences. Her works were shown in many international and national exhibitions and are included in over 50 public collections in the USA and abroad. Beata taught art courses at the University of Arizona, Southwestern University of Visual Arts and Tucson Museum of Art and is currently an instructor at Pima Community College. Check out her website and be inspired: www.beatawehr.com

The workshop will limited to a small number of participants, so if you're interested, be sure to register early. It will be a great opportunity to work with content.

NOTE: Beata will be presenting a lecture about her work on September 19 (Friday), the day before the workshop begins. Details will follow during the summer.

Monday, June 16, 2014

Taking Cover

Bookcloth was the focus of the June 14 CBAS Study Group meeting, held at the Northside Branch Library. Janice Kagermeier, with able assistance from Jeanne Taylor and Linda Dietrich, first guided the group of 14 in a discussion of commercially made bookcloth and then showed everyone two very different techniques for creating your own.

Iron-on adhesive, the easiest and quickest of the two, requires only an iron, an ironing board and some double-sided fusible adhesive. For our experiments, we used two weights of Heat 'n Bond brand fusible adhesive: Lite and Ultra Hold, both of which are double-sided and were backed with Japanese paper. Each of the weights have applications for book artists. The major drawback of the iron-on adhesive is that it is not archival, but for many applications, everyone agreed this wasn't a priority, so this method would work well.
Ironing the fusible adhesive onto the back of the fabric.
A few more minutes of ironing on the front of the fabric to assure a strong bond.
The other technique we learned was the more labor- and tool-intense traditional Japanese method of making bookcloth using cooked wheat starch paste. Janice demonstrated the style of bookcloth making she learned at a 2012 Penland workshop with Yukari Hayashida, a Japanese native who is now chief book conservator at the Metropolitan Museum of Art in New York. After lightly spraying the fabric with water, the backing paper—Japanese kozo (mulberry)—is brushed with either wheat or rice starch paste, firmly tamped onto the back of the wet fabric and finally mounted on a board to dry overnight.
Beginning to brush a thin coat of paste onto the mulberry paper backing.
This method, while more labor intensive, is archival and for those patient bookmakers who enjoy a more meditative approach, very satisfying. Rather than using the traditional Japanese tools such as the handmade brushes ($815) and horsehair strainer ($216) available from Talas, http://apps.webcreate.com/ecom/catalog/product_specific.cfm?ClientID=15&ProductID=18824
we found perfectly adequate, if not artistically satisfying substitutes, at the local hardware store.
A hallmark of Study Group: helping one another. In this case, carefully lowering the glued paper onto the back of fabric. Hardware store paint stirrers proved excellent substitutes for the traditional lifting stick.
Study Group members are a focused bunch. Everyone left with at least two pieces made using each technique, most with several more. It was especially fun to see the variety of fabrics used: beautiful batiks, linen, vintage floral prints, hand dyed African fabric, and a husband's old shirt all made an appearance.
Tamping the glued paper onto the back of the wet fabric before reversing it onto a drying board for the trip home.
We're looking forward to some fabric-covered books by Study Group members in the very near future.

Thanks to Janice K. for another excellent report!

Tuesday, June 10, 2014


Exhibition Banner
No, it's not for Reds baseball, it's for Bookworks XV. A quick visit to the installation this morning in the Atrium of the Public Library of Cincinnati and Hamilton County, 800 Vine Street, was enough to make me want to go back and spend lots more time leisurely enjoying the varied takes on books by members of the Cincinnati Book Arts Society (CBAS). The exhibition runs through September 7 and it's FREE, so return visits with friends and family will be easy.
Book by Gabrielle Fox
Book by Judith Serling-Sturm
If you are intrigued by these images, plan to join CBAS book artists when they will talk about their inspiration, materials and creations at two walk-throughs in the Atrium scheduled for Sunday, June 22, 2 p.m., and Sunday, August 3, 2 p.m. In addition, there will be a bookmaking demonstration on Sunday, July 27. Details can be found on the Library's website: www.cincinnatilibrary.org
Look under Programs & News/Exhibits.
Cases full of books
And let us know what you think of the show when you check out CBAS at https://www.facebook.com/cincinnatibookarts

Tuesday, April 29, 2014

A Workshop with Gabrielle Fox: Full Leather Over An Exposed Spine

Gabrielle Fox/photo by Beth Gilbert
CBAS members and book artists are invited to this two-day workshop presented by Gabrielle Fox, a founding member of our organization. The author of The Essential Guide to Making Handmade Books, Gabrielle is internationally known as a leading expert and artisan in the binding, conservation and restoration of fine books. Her career has included training and teaching in many distinguished institutions in the United States and Great Britain.  Besides having earned many awards and commendations, her work has appeared in numerous exhibits.  For more about Gabrielle Fox, and to see some of her wonderful work, go to: http://gabriellefox.com

Description of Workshop:
The full leather binding you will complete is a variation of an exposed sewing structure with a full leather spine protecting the spine stitching and creating a natural combination of tight back and hollow all in one structure.     

Based on the Multi-Section Pamphlet in Gabrielle's book The Essential Guide to Making Handmade Books, this variation provides the strength & flexibility of a tight backed book with the ease of a hollow tube. Best of all is the full leather spine that protects the inner layer of exposed sewing. This can be titled or decorated as in a full leather traditional binding.

The delight of this structure is the ease with which it opens and the possible variations that can be used for both design and conservation binding. 

You will complete one full-leather binding, with leather onlays, if you choose, in this two-day class.

Dates:       Saturday and Sunday, May 31 and June 1, 2014.

Time:        9:00 a.m. - 5:00 p.m. (Lunch 12:00-1:00)

Place:        College of Mount St. Joseph, Art Department
                   5701 Delhi Rd, Cincinnati, OH 45233
                   Specific directions will be sent to registrants prior to the workshop.

Cost:         $120 for the cost of the 2-day workshop + $30 for materials 
                   payable at the start of the workshop.

What to Bring:   Items noted on Supply List.  Brown bag lunch.

Details:               •Space is limited to ten participants.  
                            •Deadline for reservations is Monday, May 19, 2014

To obtain a Registration Form and Supply List, contact Margaret Rhein at paperpeg@gmail.com and put "FOX WORKSHOP" as your subject line.

Please note that the supply list for the workshop includes some preparation prior to the workshop.